I really like the look of their 2 single-dial pedals - the Acapulco Gold Drive and Erupter Fuzz.

I am in the process of commissioning a number of said mini fuzz pedals - and will publishing the results of that interaction in a forthcoming feature. Although he also does larger size enclosure pedals for sister brand BNK Audio. I'm not sure which of these if any I will ever possess - some of them have significant real-estate footprints. The small range of pedals available currently is all neat and perfectly formed really - part of me is not fussed, but I think I prefer the steel enclosure to the wood - while I really like the look of the wooden Glitch pedal too.I included Zander in my Best of British Pedal Builders Overview - and on a different day it would have made it into the top 9 in place of SSD Devices - overall Zander has a more impressive range, while I really liked a couple of the SSD pedals - here I am intrigued by most of the pedals on offer. I obviously ended up buying the Galileo, and have a mind to get the RAH and Sabbra Cadabra too sometime, while I've always been a huge Marshall fan too, so will most likely check out the Dirty Little Secret also eventually.

It's been on my wishlist for a while, even though I run a stereo rig, and really need Stereo Delays to fit in properly, and as far as that goes, there is nothing currently better than my Empress EchoSystem.

And they maintain almost exactly the same latched-switch-plate design today, which does have certain inherent limitations - cv Chase Bliss, Dr Scientist, Foxpedal, and JHS now.

It also has an amazing large format super-tweakable distortion pedal in the Acoustic Trauma and extreme envelope filter in the Protostar.

I include everyone with 5 mentions or more.Now a firm friend - Sof Tebboune is my favourite Transistor Wrangler of all those I know - making exceptionally fine sounding hand-crafted fuzzes from the finest quality properly transparently reference components - and at an exceptionally Scandinavian price point - these are the highest quality fuzzes which he could easily charge twice as much for if he so desired.

So for now I've chose to stick with the MKII for sake of the Volume Control instead of the Lag, and while I could probably do with a bit more brightness I'm very happy generally with the MKII WV.

These are my favourite kinds of pedals - sleek compact vintage-lineage analogue effects in modern packaging as such.

There are two footswitches - where the second one activates/disables the Envelope. I have and love the new V2 Super Crunch Box - never was there a crunchier Marshall-esque pedal, and it does an excellent Brown Sound. I'm certainly considering this as a replacement for my Wampler Mini Ego - which still has served me well - with its 3 dials and 2 toggles. There's some very clever DSP going on here which is central to the appeal and effectiveness of this effect which can sound beautifully organic yet otherworldly at times too.The lowest cost and simplest option in this listing - as mentioned in the intro - you have just 4 controls at your disposal here : Depth | Speed | Mix knobs and a 2-way Shape Toggle (Sine/Square or Triangle/Square I assume).

Yet it has numerous other excellent pedals that occasionally slip my mind - it is as well I have this list here to remain aware of these great options:I've been following F-Pedals for a few years - conceived and designed by Franco Sondelli in LA, and then manufactured in Napoli, Italy.

I absolutely loved what I heard of the Secret Weapon Fuzz demo'd there - Dan's take on the Zonk Machine Fuzz. I ended up picking the TEC 21 NYC Roto Choir for my needs, but it was between that, the Ventilator Mini and Strymon Lex in the end.

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